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(Tenor and soprano saxophones, b. 1944) Bristol-born Evan Parker has been an important experimentalist in the UK and continental Europe for 40 years with the Spontaneous Music Ensemble, Music Improvisation Company, London Jazz Composer’s Orchestra, Brotherhood of Breath, Dutch-based ICP and Globe Unity Orchestra. His mastery of circular breathing and alternate fingerings have resulted in inimitable ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Many were those in 1972 who would have snorted at the idea that an artist so obsessed with superficiality and chart success would sustain a multi-decade career characterized by career-jeopardising innovation. Hours… (1999) saw Bowie co-writing with Tin Machine guitarist and subsequent frequent collaborator Reeves Gabrels. The album had originated in a commission to score a computer game called Omikron: The ...

Source: David Bowie: Ever Changing Hero, by Sean Egan

1863–1919 American composer Parker studied in Boston with the European-trained George Chadwick and in Munich with Josef Rheinberger, and later taught in New York and Yale, where his students included Charles Ives (1874–1954) and Roger Sessions (1896–1985). As a virtuoso organist he held a prestigious post at Trinity Church, Boston, and founded and conducted the New Hampshire ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Charlie Parker, also known as ‘Yardbird’ or ‘Bird’, was a largely self-taught musical genius with acute self-destructive tendencies. His career exemplified both the creative power and the destructive social ethos of bebop. His music burned as brightly as any in jazz, but his lifestyle sent out the wrong message to too many young musicians, despite his frequent warnings ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Bill Evans was one of the most lyrical and romantic of all jazz pianists. His distinctive lightness of touch and singing tone on the piano shone most brightly in his favoured trio settings with compatible bass players and drummers, including famous line-ups that featured Scott LaFaro and Paul Motian, and later Eddie Gomez and Marty Morrell. Evans was born ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Arranger, composer, piano, 1912–88) Gil Evans (born Ian Green) achieved fame through his work with Miles Davis on the seminal recordings Miles Ahead (1957), Porgy And Bess (1959) and Sketches Of Spain (1960). His own output was relatively small, but his influence was much larger. His greatest gift lay in arranging – or more accurately, re-composing ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Harmonica, vocals, 1932–71) Herman Parker Jr. was born in Bobo, Mississippi and worked with Howlin’ Wolf as early as 1949 in West Memphis. Parker was associated with B.B. King, Bobby Bland and Johnny Ace in the Memphis scene of the early 1950s. He recorded for Sun with his own group, the Blue Flames, in ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Bass, b. 1952) William Parker apprenticed with major bassists in New York City’s Jazzmobile programme, studied privately with Jimmy Garrison and Wilber Ware, and performed with Cecil Taylor’s group at the age of 21. He has anchored many ensembles, including the David S. Ware Quartet. His prodigious work ethic, instrumental steadiness, dependability and selflessness have ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, b. 1971) Evans moved to Nashville in 1991, where she met her husband, Craig Schelske. In 1995, her demo of the 1965 Buck Owens hit ‘I’ve Got A Tiger By The Tail’, attracted the attention of the song’s writer, Harlan Howard, and led to her signing with RCA Records and her much-hailed traditional country ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

1922–92 Welsh baritone Evans joined the Covent Garden company in 1948, singing Mozart’s Figaro in his second season. He sang at Glyndebourne 1950–61, and made his debut at La Scala in 1960. Appearances in America included Beckmesser in Die Meistersinger (Chicago, 1959) and Verdi’s Falstaff (Metropolitan Opera, 1964). Renowned for many years in Mozart roles, in ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Alto and soprano saxophones, b. 1960) After playing in R&B bands in St. Louis, Greg Osby studied at Washington, DC’s Howard University, with classmates including pianist Geri Allen. He quit Berklee School of Music to tour with Dizzy Gillespie, then moved to New York City and joined Steve Coleman’s M-Base Collective. At first their styles were ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Piano, synthesizer, b. 1932) Paul Bley came from Montreal to New York in the early 1950s and worked with Jackie McLean. Later, in Los Angeles, he pioneered free jazz with Ornette Coleman. Throughout his career Bley has performed the compositions of his ex-wives – keyboardist Carla Bley and singer/pianist Annette Peacock – and his own pieces, ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

By definition, a contemporary era defies summary. No one living in it has the conclusive perspective to discern the prevailing character of our times, even though we all know what we’re going through, and can hear what we hear. The reductive view is: Americans, after a burst stock-market bubble and terrorist attacks, live in uncertainty, ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

The history of musical instruments has always been very closely linked to the history of music itself. New musical styles often come about because new instruments become available, or improvements to existing ones are made. Improvements to the design of the piano in the 1770s, for instance, led to its adoption by composers such as Wolfgang Amadeus Mozart ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

The saxophone occupies an unusual position in that it is a bespoke instrument that has barely changed since its creation. Although it does not occupy the position in the orchestra its creator had envisaged, Adolphe Sax’s invention has played a central part in music ever since it burst on to the scene in the 1840s. Sax’s father, Charles, ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins
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